Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art, Nottingham Trent University. Emma's research focuses on artistic processes and practices, and the performing of ‘thinking-in-action’ therein. Her practice unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches, alongside a mode of ‘contiguous writing’ — a way of writing-with that seeks to touch upon rather than being explicitly about. Her writing is published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling, 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, 2018; Live Coding: A User's Manual, 2023, and in the solo collections, The Yes of the No, 2016, and How Do You Do?, 2024.

Symposium: Critical Reinventions


My performative paper ‘Conversation-as-Material’ has been accepted for inclusion as part of the forthcoming Critical Reinventions symposium, at University of East Anglia, 12 May 2018

About the symposium: Recent years have been witness to a diversification in the forms and registers of literary-critical writing. Conventional practice continues to flourish, but alongside and in dialogue with an increasingly inventive field of non-standard criticism. The reasons for the emergence of this field are several. They include the so-called post-critical turn, contentious as it is, and the desire for ‘reparative’ as well as ‘paranoid’ orientations in critical practice; the long legacy of critical theory conceived as an ongoing provocation to the content of the form of critical writing; the continued health of small-press and open access publishing, where hybridized and innovative modes of critical writing can flourish; and a renaissance in the essay, along with renewed attention to its histories and formal possibilities. Critical Reinventions aims to mark the diversity of formal invention in contemporary creative-critical practice by focusing on the life, histories and potential futures of a range of types of writing. As part of this symposium there will be a roundtable discussion involving: Kate Briggs (This Little Art), Daniela Cascella (Singed) and Sarah Jackson (Tactile Poetics)